This version gives the song an almost completely feel, gone are the strings and guitars, and in their place, eerie synths and drum machine beats. This song might as well say Portishead remix after, because that's exactly what it sounds like, that creepy lounge music sound. It's a little jazzy, a little creepy and a sort of uneasy listen, but ultimately rewarding. This track appears as a b-side on the second Karma Police single released in 1997. - Skatterbrain
By
Jason Grishkoff
on
Mar 11, 2012
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It's Sunday, which means that once again the internet is once again a wasteland for new music. And so, we take a look backwards through time.Today's treat is a remix of Zero 7's "Somersault," off their 2004 album When It Falls. The remix was done by ...
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By
RSkotarczyk
on
Feb 27, 2016
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If you're looking for some ethereal sounds, look no further than Seb Wildblood's latest remix of Submotion Orchestra's "Needs."
It's a colorful escape into a matrix of soft and inviting sounds, punctuated by the almost Radiohead-esque vocals of Andr...
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By
Jason Grishkoff
on
Oct 17, 2012
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A little drum 'n' bass, anyone? S.P.Y.'s rework of "In The Waiting Line" by Zero 7 seamlessly melds fast-paced breakbeats with soothing trip-hop.The original song was released by Zero 7 back in 2001, on their debut album Simple Things. But, you may r...
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By
Jason Grishkoff
on
Jul 21, 2016
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That chord progression - yum! It's what drew me to this song, and it's what keeps me coming back for more.
The original track was released by Equador roughly 9 months ago -- a collaborative duo made up of Zero 7's Henry Binns, and Bo Bruce, a contes...
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